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GIFFONI FILM FESTIVAL 1978 - 29 July.6 August

GORDON MITCHELL

Gordon Mitchell, born Charles Allen Pendleton (Denver, July 29, 1923) is an American actor and bodybuilder who made a lot of B movies.

Charles Allen Pendleton was born in Denver, Colorado, and began working out in his Denver neighbourhood to deal with his tough companions. During World War II he served in the U.S. Army in the Battle of the Bulge where he was taken prisoner of war. He later obtained a degree at the University of Southern California under the G.I. Bill. He became a high school teacher and guidance counselorin Los Angeles, where due to his physique he was given classes containing many delinquent students.

Following a return enlistment for the Korean War, he found film extra work in movies such as "Prisoner of War""The Man with the Golden Arm" and Cecil B. DeMille's "The Ten Commandments", where he and his friend Joe Gold dragged Charlton Heston's Moses to Pharaoh Yul Brynner. Mae West chose him to appear in her nightclub act as part of her "buffed all-male chorus line".

He was one of the American bodybuilder-actors who migrated to Italy in the wake of Steve Reeves' success in the 1958 film "Hercules" after he sent a photo to an Italian producer who signed him on a contract. Prior to going to Italy, he saw a clairvoyant who asked him if he had ever been known by the name of Gordon Mitchell. He replied no, but on arrival in Rome, Mitchell was given his new name. He found work first in sword and sandal films such as "Ali Baba and the Seven Saracens""Seven Slaves Against the World""Treasure of the Petrified Forest", then in Spaghetti Westerns such as "Beyond the Law" and "Savage Guns". Mitchell also appeared in "Satyricon" (1969), directed by Federico Fellini.

From the early 1970s onwards, he started to diversify into everything from horror, such as "Frankenstein's Castle of Freaks" (1974).

  • Filmography:

    • ACTOR
    cinema
    Prisoner of War, by Andrew Marton (1954)
    The Man with the Golden Arm, by Otto Preminger (1955)
    The Ten Commandments, by Cecil B. DeMille (1956)
    Atlas in the Land of the Cyclops, by Antonio Leonviola (1961)
    The Giant of Metropolis, by Umberto Scarpelli (1961)
    Invasion 1700, by Fernando Cerchio (1961)
    The Centurion, by Mario Costa (1961)
    The Fury of Achilles, by Marino Girolami (1962)
    Julius Caesar Against the Pirates, by Sergio Grieco (1962)
    Vulcan Son of Jupiter, by Emimmo Salvi (1962)
    Kerim, Son of the Sheik, by Mario Costa (1962)
    Brenno il nemico di Roma, by Giacomo Gentilomo (1963)
    The Revenge of Spartacus, by Michele Lupo (1964)
    Ali Baba and the Seven Saracens, by Emimmo Salvi (1964)
    Seven Slaves Against the World, by Michele Lupo (1964)
    Erik il vikingo, by Mario Caiano (1965)
    La vendetta di Lady Morgan, by Massimo Pupillo (1965)
    Treasure of the Petrified Forest, by Emimmo Salvi (1965)
    Three Bullets Ringo, by Emimmo Salvi (1966)
    Star Pilot, by Pietro Francisci (1966)
    È mezzanotte... butta giù il cadavere, by Guido Zurli (1966)
    L'estate, by Paolo Spinola (1966)
    Kill or Be Killed, by Tanio Boccia (1966)
    Thompson 1880, by Guido Zurli (1966)
    Rita of the West, by Ferdinando Baldi (1967)
    Nato per uccidere, by Antonio Mollica (1967)
    Death on the Run, by Sergio Corbucci (1967)
    John the Bastard, by Armando Crispino (1967)
    All on the Red, by Aldo Florio (1968)
    Phenomenal and the Treasure of Tutankhamen, by Ruggero Deodato (1968)
    Beyond the Law, by Giorgio Stegani (1968)
    Un killer per Sua Maestà, by Federico Chentrens (1968)
    Cin cin... cianuro, by Ernesto Gastaldi (1968)
    Seven Times Seven, by Michele Lupo (1968)
    Trusting is Good... Shooting is Better, by Osvaldo Civirani (1968)
    Carogne si nasce, by Alfonso Brescia (1968)
    Sapevano solo uccidere, by Tanio Boccia (1968)
    Satyricon, by Federico Fellini (1969)
    Ora X - Pattuglia suicida, by Gaetano Quartararo (1969)
    Sartana the Gravedigger, by Giuliano Carnimeo (1969)
    Django and Sartana Are Coming... It's the End, by Demofilo Fidani and Diego Spataro (1970)
    Dead Men Don't Make Shadows, by Demofilo Fidani (1970)
    Django Story, by Demofilo Fidani (1970)
    Savage Guns, by Demofilo Fidani (1971)
    A Barrell Full of Dollars, by Demofilo Fidani (1971)
    A Fistful of Death, by Demofilo Fidani (1971)
    Il suo nome era Pot, by Lucio Dandolo and Demofilo Fidani (1971)
    Vamos a matar Sartana, by George Martin and Mario Pinzauti (1971)
    Le Cobra, by Yves Boisset (1971)
    Drummer of Vengeance, by Mario Gariazzo (1971)
    Go Away! Trinity Has Arrived in Eldorado, by Joe D'Amato (1972)
    I 7 del gruppo selvaggio, by Gianni Crea (1972)
    Io monaca... per tre carogne e sette peccatrici, by Ernst von Theumer (1972)
    Il magnifico West, by Gianni Crea (1972)
    My Darling Slave, by Giorgio Capitani (1972)
    The Fighting Fist of Shanghai Joe, by Mario Caiano (1973)
    Dagli archivi della polizia criminale, by Paolo Lombardo (1973)
    Amico mio, frega tu... che frego io!, by Demofilo Fidani (1973)
    Il domestico, by Luigi Filippo D'Amico (1974)
    Due magnum 38 per una città di carogne, by Mario Pinzauti (1975)
    L'unica legge in cui credo, by Claudio Giorgi (1976)
    La polizia ordina: sparate a vista, by Giulio Giuseppe Negri (1976)
    Kaput Lager - Gli ultimi giorni delle SS, by Luigi Batzella (1977)
    Rusty and Joe, by Vito Bruschini (1977)