manifesto ing

GIFFONI50 - 18.29 AUGUST / 26-30 DECEMBER

Sections & Films

THE 400 BLOWS

Category: Edition 2020

Synopsis
Antoine Doinel is a boy who lives with his mother, a careless woman, and his father, a shallow man and only interested in rally races. The only comfort to his solitude is reading and his friendship with his schoolmate René. It is with him that he runs the school to go to the cinema or wander around Paris. To justify yet another absence from school, Antoine invents the death of his mother. Humiliated in front of everyone after the lie is discovered, he escapes by taking refuge in the printing house of René's uncle. Back in school, he is forgiven by his mother, who promises a gift if he improves his grades. Antoine, who loves to read, writes an essay rewriting a page of the novel The quest of the absolute as an homage to Balzac, his favorite author. The professor accuses him of copying and punishes him. Disappointed and desperate, Antoine escapes and goes to live in René's house. To pay for a trip to the beach for himself and his friend, Antoine plans to steal a typewriter in his father's office. Once the theft is done, the boys try to sell the typewriter. Failing that, Antoine tries to return it but he is discovered. The father denounces him and the boy spends one night in prison. To get rid of him, the mother accepts that he is locked up in a juvie far from Paris and with a very strict discipline.

Original Title LES QUATRE CENTS COUPS
Italian Title I 400 COLPI
Category Out of competition
Section Giffoni50 Review
Tipology Feature Film
Duration 99'
Production Year 1959
Nationality France
Directed by François Truffaut
Story François Truffaut
Screenplay François Truffaut, Marcel Moussy
Director of photography Henri Decaë
Editor Marie-Josèphe Yoyotte
Music Jean Constantin
Main cast Jean-Pierre Léaud
Albert Rémy
Claire Maurier

regista François TruffautFRANÇOIS TRUFFAUT
François Truffaut began to go to the movies at the age of seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who will became his mentor. Bazin helped Truffaut also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinéma". In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1955 Truffaut directed his first short film UNE VISITE. The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (Le Carrosse d’Or, 1952). He directed the short film LES MISTONS (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, THE 400 BLOWS (1959), was the beginning of the Nouvelle Vague, a new way of making movies in France. In the following year he became one of the most popular and successful French film directors. His main themes were passion, women, childhood and faithfulness. These are all his films: THE 400 BLOWS (1959), SHOOT THE PIANO PLAYER (1960), JULES AND JIM (1962), THE SOFT SKIN (1964), FAHRENHEIT 451 (1966), THE BRIDE WORE BLACK (1967), STOLEN KISSES (1968), MISSISSIPPI MERMAID (1969), THE WILD CHILD (1969), BED AND BOARD (1970), TWO ENGLISH GIRLS (1971), SUCH A GORGEOUS KID LIKE ME (1972), DAY FOR NIGHT (1973), THE STORY OF ADÈLE H. (1975), SMALL CHANGE (1976), THE MEN WHO LOVED WOMEN (1977), THE GREEN ROOM (1978), LOVE ON THE RUN (1979), THE LAST METRO (1980), THE WOMAN NEXT DOOR (1981), CONFIDENTIALLY YOURS (1983). Truffaut died of a tumor in 1984. Two years earlier he had been a guest at the Giffoni Film Festival, defining it, in a memorable letter, "the most necessary festival".

 

production
Les Films du Carrosse
S.E.D.I.F.

Italian distribution
Bim Distribuzione
(Italy)
www.bimfilm.com